A Revisit | 浮光

Genre
類型
Drama 劇情

Length
預計片長
20′

Production Stage
製作進度
In-Development 發展中

Total Budget
總預算
US$ 51,000

Goal 參與目標
Script Refining, Funds
完善劇本、籌集資金

Logline 故事摘要
In her pursuit of her grandmother’s approval, a university student debates reporting her cousin’s bullying to the police. As they unearth old resentments amidst new grievances, delicate bonds of family ties are being tested.
一位曾在兒時遭受侵犯的 23 歲女學生試圖協助在校遭受欺凌的表弟報案,卻遭到外婆的反對,親情之間的新仇舊恨湧上各自心頭。

Synopsis 故事大綱
Years after a sexual assault incident from her high school teacher, college student Junxi approaches a counsellor for the first time, only to receive an unfavourable response. Shortly after, an unexpected call from her estranged grandmother resulted in a duty to handle her younger cousin’s school fight case. Junxi discovers her cousin’s secret voice recording which reveals the school may have misled her; packaging the bullying incident as a mere schoolyard squabble to downplay the event. Her grandmother’s habitual avoidance towards both the bullying and sexual assault incident has caused friction between Junxi and her. As Junxi navigates the dilemma to protect her cousin, she grapples with confronting her past trauma.

大專生君禧這天第一次約了心理咨詢師訴說中學時被老師觸摸胸部一事,卻得到令人難以接受的回應。其後接到外婆的來電,臨時請求她到小表弟的學校處理小表弟在校打架的事。會面過後,君禧從小表弟偷錄的聲檔發現學校有誤導小表弟之嫌,把他被霸凌之事實包裝成同學之間的吵架來淡化事件。外婆的慣性逃避反應引起君禧極大抗拒,如同外婆沒有積極理解她中學時被老師觸摸胸部一事,引發君禧一場恐慌發作。一個突發短暫的相聚時光,君禧竟意會到表弟被欺凌一事再次勾起自己的過去創傷的體驗。

Director’s Statement 導演闡述
A few years ago, I saw an anonymous post on a Facebook discussion group. It told the story of a woman who was sexually abused by her uncle during her adolescence. She bravely asked her family for help, but they ignored her. As an adult, she was still forced to take on the responsibility of taking care of her family. Even though her family did not give her the respect and care she deserved, she felt angry and hurt but helpless.
This post touched me deeply, because my growing environment also brought me similar feelings, and I also realised that there are value conflicts between different generations that are difficult to understand. For example, there are different views on family responsibilities and personal values. These conflicts often hurt individuals, causing internal conflicts and hindering personal growth.
I created A Revisit precisely to explore how the frameworks we set for ourselves, in addition to those given to us by others, can hurt us. I hope this story can provoke people’s thinking about value conflicts and help us break free from self-imposed limitations.

幾年前,我在臉書討論區看到一則匿名貼文,講述一位女性青春期遭受舅父侵犯,向家人求助卻被忽視的經歷。成年後,她仍然被迫承擔起照顧家人的責任,即使家人並沒有給予她應有的尊重和關愛,內心憤怒委屈卻無可奈何。
這則貼文讓我深受觸動,因我的成長環境也為我帶來類似的感受,也意識到不同世代間存在難以理解的價值觀衝突。例如,對家庭責任、個人價值的看法。這些衝突往往會給個人帶來傷害,造成內心矛盾、阻礙個人成長。
我創作《浮光》,正是希望探究除他人給予的框架之外,我們自己給自己設下的框架又如何傷害到自己。希望故事能引發人們對價值觀衝突的思考,幫助我們打破自我設限。

Director & Screenwriter 導演及編劇

Chu Hoi Ying 朱凱濙
Graduated from the School of Film and Television with a Master of Fine Arts degree at Hong Kong Baptist University. The short film 3 Generations 3 Days won awards such as Best Director and the Fresh Wave Award at the 13th Fresh Wave International Short Film Festival, Best Live Action Short Film at the 56th Golden Horse Film Festival, and Best Live Action Short Film at the 2019 South Taiwan Film Festival.

香港浸會大學電影學院藝術碩士學位畢業。短片作品《紅棗薏米花生》獲得 2019 鮮浪潮國際短片節最佳導演與鮮浪潮大獎、第 56 屆金馬獎最佳劇情短片、2019台灣南方影展最佳劇情短片等獎項。

Producer 監製

Angelina Bok 莫惠雯
A film producer from Singapore, an alumna of the Rotterdam Lab at the International Film Festival Rotterdam, the Busan Asian Film School (AFiS), the NAFF Fantastic Film School at the Bucheon International Fantastic Film Festival (BIFAN), and the Full Circle Lab in the Philippines.

新加坡電影製片人。鹿特丹影展「製片培育工作坊 (Rotterdam Lab)」、釜山亞洲電影學校 (AFiS)、富川國際奇幻影展 NAFF Fantastic Film School 及菲律賓Full Circle Lab的校友。

Screenwriter & Composer 編劇及配樂

Ivy Shen 沈俞樺
Selected as a producer for the Asian Film Academy (AFiS) in Busan, the Rotterdam Lab at the International Film Festival Rotterdam, the Ties That Bind workshop by EAVE for EurAsian co-production, and the Impact Lab at the Cannes Film Festival.

以製片人身分入選釜山亞洲電影學院 (AFiS)、鹿特丹影展「製片人工作坊 (Rotterdam Lab)」、EAVE 歐亞合製工作坊 (Ties That Bind) 及康城影展影響力工作坊 (Impact Lab) 。