Genre
類型
Documentary 紀實
Length
預計片長
90′
Production Stage
製作進度
Work-in-Progress 製作中
Total Budget
總預算
US$ 155,128
Goal 參與目標
Funds, (Co-)producer
籌集資金、（聯合）監製
Logline 故事摘要
Finding joy in sorting trash and finding healing in the impossible work until the day when cleaning the sea is no longer needed.
在髒亂的廢物中撿拾樂趣，從勞苦的體驗裡療癒自己，直到，不用淨灘那天。
Synopsis 故事大綱
CraSEAy CleanUppers is a group of strangers that came together for a singular goal, to rid the sea of marine debris. Every week, come rain or shine, they discover hidden coves and shores covered with polystyrene and plastic, and they clear each piece out by hand. They sort through hidden treasures and document every item they find. In the process of cleaning the sea, they themselves learn and heal under the tutelage of nature.
《淨灘瘋人院》是一群因為海洋垃圾而聚集的人。他們幾乎每個週四，自發到香港各處海岸淨灘，不分季節陰晴，搜索海廢黑點，探尋可行路線。在有限時間裡徒手清理，逐一點算和記錄，試圖還海洋一點乾淨。在過程中被大自然教育、療癒、磨練。
Director’s Statement 導演闡述
At first I was only curious, I followed their expeditions time and time again and observed how they would document and account for each item found. I realise that the debris is an inseparable part of our daily lives.
Cleaning up the shores with them is like a practice, a way to recover our relationship with nature, and a way to restore our relationship with each other. The trash carries traces of our existence and evidence of what we choose to leave behind on earth.
I see the relationship between myself and this debris. Through this film, I hope that everyone else will also see our position and our obligation to the environment.
當初只是好奇，想了解他們做甚麼，跟隨他們一次又一次的探索、記錄、統計，發覺在岸邊出現的廢棄物其實與我們的生活密不可分。
與他們一起淨灘，更像是修煉，是修補與大自然的關係，是修補與他人及自己的關係。這些廢棄物是我們存在的痕跡，亦是我們留給地球的爛攤子。
我看見了自己與垃圾之間的關係，我看見了自己責任，我想以這部電影給大家看見「淨灘是一小撮人負了眾人的責任；減廢是一個人終於看到自己的責任。」
Director 導演
Tsang Kam Shan 曾錦山
Hong Kong independent documentary filmmaker. He has completed the Film Professionals Training Programme (HKIVE), and has attended different documentary master classes organised by Visible Record and Hong Kong Documentary Initiative. In 2013, he started filming documentaries on various topics. His works have been featured by international and local media including VICE News, RTHK, Tokyo Broadcasting System (TBS) Television, NHK and PTS.
香港獨立紀錄片工作者，電影專業培訓計劃畢業，曾參與由采風電影及香港紀錄片拓展計劃舉辦的的紀錄片大師班。2013年起開始拍攝紀錄片，獨立製作紀錄短片有《郵差》、《寶光》、《一罩難求》，作品曾在 VICE News、香港電台、日本TBS、日本放送協會、台灣公共電視上放映。
Sound Designer 聲音設計
Chan Sze Yuen 陳思遠
Engaged in sound recordist and sound post-production work. Chan has been engaged in music creation since 2012 and became interested in the relationship between sound and music. Sound recordist works include Take us to the island, Cinema Quietude, Sunflower, and Between Two Ears. Sound design works include Walk Along The Wall and Sunflower.
從事現攝錄音和聲音後期工作。於2012年起從事音樂創作，對聲音與音樂的關係產生興趣 。現場收音作品包括《無依》、《無影之地》、《斜陽》及《兩耳》 。聲音設計作品包括《十二點前我要返屋企》及《斜陽》。