Genre
類型
Drama 劇情
Length
預計片長
100‘
Production Stage
製作進度
Complete First Cut
完整初剪
Total Budget
總預算
US$ 1,000,000
Logline 故事摘要
Ding Mao, a tally clerk who works at a supermarket, once accidentally boiled a shark in an aquarium. From then on, he began to experience auditory hallucinations and he embarked on a journey to find his father.
丁茂是超級市場的理貨員，有一次他不小心把水族箱裡的一條鯊魚煮熟了。從那時起，他開始經歷聽覺、幻覺，並踏上尋找父親的旅途。
Synopsis 故事大綱
Ding Mao, a tally clerk who works in a supermarket, once cooked a shark in an aquarium by accident. Since then, an indescribable noise has emerged in his ears, guiding him to embark on a long journey to search for his father unseen for nearly two decades. Seemingly fated, his father, the shark, and the wave of workers’ layoff are interwoven together, like an echoing movement of history and memory, illusion and reality.
丁茂是超級市場的理貨員，有一次他不小心把水族箱裡的一條鯊魚煮熟了。從那時起，他耳中出現了一種無法形容的噪音，引導他踏上了尋找近二十年未見的父親的漫長旅程。似乎是命運的安排，他的父親、那條鯊魚、一波工人裁員潮紛紛交織在一起，就像歷史與記憶、幻覺與現實的迴響。
Director’s Statement 導演闡述
It’s a film about sound and memory.
這是一部關於聲音和記憶的電影。
Director 導演
Zhong Kaifeng 鍾凱峰
Zhong Kaifeng was born in 1995. Graduated from the Central Academy of Drama. Engaged in music, novels, and film creation.
鍾凱峰生於1995年，畢業於中央戲劇學院，從事音樂、小說及電影創作。
Producer 監製
Jane Zheng 鄭菁
A producer and executive producer of numerous films, Jane produced The Farewell in 2018/19, which was nominated for the Best Foreign Language Film at the 2019 Golden Globes and won the Best Actress. Her latest documentary feature Found was released by Netflix worldwide in 2021. She produced the art-house indie film A song sung blue, and was selected by the Cannes Directors’ Fortnight 2023 and other international film festivals.
內地監製，曾製作多部劇情及紀錄長片，近作包括獲 2020 年金球獎最佳外語片提名的《別告訴她》；由 Netflix 全球發行紀錄長片《找尋》； 及入選 2023 年康城影展導演雙週單元及多個國際電影節的獨立長片《小白船》。
Producer 監製
Wang Tianxiao 王天嘯
Graduated from the Film and Television Production Department of the Central Academy of Drama, Wang has discovered and coordinated numerous film adaptation projects, including the Korean comic MOONYOU, a youthful and fantastical work by Osamu Oshima I Am in Mari’s Body, and the film adaptation rights of popular news I’m Not a Drug Lord, I’m Just a Father etc. He also developed Moon Man; developed and produced the documentary There Will Be a Spring Next Year, which won the Most Market Potential Proposal at the China Documentary Conference, and cooperated with iQIYI platform to jointly produce it.
畢業於中央戲劇學院影視製片專業，曾發掘及促成多部電影改編項目，包括韓國漫畫《MOONYOU》、押見修造青春奇幻作品《我在麻裡體內》、熱門新聞事件《我不是藥神，我只是父親》影視改編等。曾參與電影《獨行月球》項目發展；紀錄片《會有下個春天》的項目發展及製作，曾獲中國紀錄片大會最具市場潛力提案，並合作愛奇藝平台聯合出品。