Aditya ASSARAT 阿狄阿薩拉
Thailand | Purin Pictures
Aditya ASSARAT is a writer, director, and producer from Thailand. His feature films include Hi-So and Wonderful Town, which won the New Currents Award from Busan and the VPRO Tiger Award from Rotterdam. His most recent film, Ten Years Thailand, which he produced and co-directed, premiered in Cannes. In addition to his own films, Aditya has also produced the films of younger Thai directors such as Eternity by Sivaroj Kongsakul, which won the VPRO Tiger Award from Rotterdam, Mary is Happy, Mary is Happy by Nawapol Thamrongrattanarit, which premiered in Venice and W by Chonlasit Upanigkit, which premiered in Busan. Finally, Aditya is also the director of Purin Pictures, a non-profit foundation based in Bangkok that supports Southeast Asian cinema.
泰國編劇、導演及製片人。劇情長片包括《愛情需要翻譯》和《奇妙小鎮》(釜山電影節新浪潮獎；鹿特丹電影節金虎獎)；於最新電影作品《十年泰國》(康城影展首映)中擔任監製和聯合導演。他亦參與多位年輕泰國導演作品的製作，包括Sivaroj Kongsakul的《永恆》(鹿特丹電影節金虎獎)、Nawapol Thamrongrattanarit的《瑪麗真快樂》(威尼斯電影節首映)和Chonlasit Upanigki的《W》(釜山電影節首映)。他同時也是曼谷非營利機構 Purin Pictures總監，致力於推動東南亞電影的發展。
Min Bahadur BHAM 敏巴哈杜爾巴姆
Nepal
An award-winning filmmaker from Nepal, Min Bahadur BHAM graduated in Filmmaking and Literature. He has a master degree in Buddhist Philosophy and Political Science. His short film The Flute (2012) was the first Nepalese film presented at the Venice Film Festival. He was a participant of Berlinale Talent Campus 2013, Asian Film Academy 2013, awarded the Fellowship Award. His directorial debut The Black Hen (2015) is the first feature film of Nepal presented in Venice Critics Week and awarded with FEDEORA Best Film Award. Also it was an official entry from Nepal to Oscar for the category of Best Foreign Language Film 2016. Currently, he is preparing his second feature film, A Year of Cold that was developed at Cinéfondation Residence, Festival de Cannes, Torino Film Lab, and Golden Horse (FPP).
尼泊爾導演，主修電影製作和文學專業，佛學及政治學碩士。短片The Flute為首部在威尼斯電影節展映的尼泊爾電影；他曾參加2013年柏林新銳營和釜山國際電影節亞洲電影學院。首部長片《小兄弟尋雞記》(威尼斯國際影評人週：FEDEORA最佳電影獎)為2016年奧斯卡最佳外語片尼泊爾官方入圍影片。現正籌備自己的第二部長片A Year of Cold，該片曾參與康城電影節Cinéfondation寫作駐村計劃、都靈電影實驗室及金馬創投。
Ash HOYLE 阿什・霍伊爾
United States | The Sundance Institute
Ash HOYLE is a features Programmer at the Sundance Film Festival. He focuses on both fiction, nonfiction, and Midnight. He has previously worked at Sundance as an Associate Programmer for shorts and features and to support Director of Programming, Kim YUTANI. Ash has also worked as the Director of Programming of Damn These Heels Film Festival, run by the Utah Film Center, as well as a Senior Programmer at Outfest Los Angeles and a Programmer at Palm Springs Shorts Fest. Ash is a 2021 Project Involve Fellow on Film Independent’s programming track and has also been involved in programming, NewFest NY, Sun Valley Film Festival, Overlook Film Festival, and AFI Fest and worked in production at ABC, Mssng Peces, and The Annoyance Theater. Ash is originally from Philadelphia, PA and holds a dual degree in Film & English from Vassar College in Poughkeepsie, NY.
現為辛丹斯電影節的劇情長片節目策劃，負責劇情片、非劇情片及辛丹斯Midnight策展，曾協助節目總監Kim Yutani在辛丹斯擔任短片和長片的助理節目統籌。Ash亦擔任Damn These Heels Film Festival的節目總監、洛杉磯Outfest電影節的高級節目統籌及棕櫚泉國際短片電影節的節目統籌。曾參與美國多個電影節的策劃，並在ABC、Mssng Peces和The Annoyance Theater等公司參與製作。Ash來自費城，畢業於紐約州波啟浦夕市的瓦薩爾學院電影及英語雙學位。
Joe HUANG 黃柏喬
Taiwan | The South Taiwan Film Festival
Joe HUANG, part-time teacher for film aesthetics, sees himself as a freelancer for film art, but somehow works like a blue-collar. He is an independent curator, whom serves as the Artistic Director and Executive Director of the South Taiwan Film Festival after studying in Sound & Image Studies in management of TNNUA. Joe has been a juror and guest curator for several institutes and film festivals, including Taiwan International Documentary Festival (2022), Busan Inter–City Film Festival, Macao International Documentary Film Festival (2021), etc.
現任臺灣南方影展藝術總監、獨立策展人，南方影像學會常務理事。歷任TIDF 台灣國際紀錄片影展初審評審(2022)、韓國釜山城際電影節、澳門國際紀錄片電影節交流策畫(2021)、台北電影獎紀錄片組初審評審(2020)、東京藝術大學映像研究科「台湾COI」專題策畫(2017)。
LIAO Jiekai 廖捷凱
Singapore | 13 Little Pictures
LIAO Jiekai is a filmmaker and artist based in Singapore. He is a founding member of the film collective 13 Little Pictures. Since 2005, he has directed a number of shorts and feature films, most notably Before the Wedlock House won the Best Documentary Short at the 2nd Salaya International Documentary Film Festival, and another short The Mist won the best director prize at Singapore International Film Festival’s Silver Screen Awards. His 2010 debut feature film, Red Dragonflies, won the Special Jury Prize at the Jeonju International Film Festival and was selected for competition at various film festivals such as Buenos Aires, Santiago, Hong Kong, Shanghai and Tokyo. In 2012, Jiekai was conferred the Young Artist Award by the National Arts Council of Singapore.
新加坡電影工作者、藝術家、製作公司13 Little Pictures創辦⼈之⼀。自2005年起製作多部短片及長片，其中Before the Wedlock House獲選第2屆薩拉亞國際紀錄片節最佳紀錄短⽚；另憑短片The Mist獲得新加坡國際電影節銀屏獎最佳導演；2010年⾸部長⽚《紅蜻蜓》榮獲全州國際電影節特別評審奬，並入選布宜諾斯艾利斯、聖地牙哥、香港、上海以及東京電影節的競賽單元。 2012年，廖獲新加坡國家藝術委員會頒發年⻘藝術家獎(電影)。
Jacqueline LIU 廖婉虹
Hong Kong
Jacqueline LIU is a Hong Kong-based film producer for independent and commercial film, including: Vital Sign (2023); Warriors of Future (2022) ; The Way We Keep Dancing (2020); Keep Rolling (2020); The Secret Diary of A Mom-to-be (2019); Tracey (2018); Men on the Dragon (2018); Sisterhood (2016); Sky on Fire (2016); K (2015); Wild City (2015); The Great War (2013); Merry go Round (2010); Soundless Wind Chime (2009)—Teddy Award nominee of the 59th Berlin Film Festival; Plastic City (2008)—Special Screening at the 65th Venice Film Festival; August Story (2006)—Best Film at Tainan Film Festival; Butterfly (2004)—Opening Film of International Critics’ Week of the Venice Film Festival.
廖婉虹是一位香港電影監製，參與電影包括：香港國際電影節閉幕電影《送院途中》; 香港首部科幻片《明日戰記》; 台灣金馬獎作品《狂舞派3》及《好好拍電影》；另有《Baby復仇記》;《翠絲》;《逆流大叔》;《骨妹》。亦監製香港動作片傳奇林嶺東電影《沖天火》及《迷城》；香港亞洲電影節閉幕電影《東風破》；柏林影展參展作品《無聲風鈴》； 威尼斯影展參展作品《蕩寇》；台南電影節最佳電影《八月的故事》及威尼斯影展影評人雙周開幕電影《蝴蝶》等等。
POON Eric T.P. 潘達培
Hong Kong
Renowned television documentary writer and director, POON is currently an Associate Professor of Practice in the School of Journalism and Communication at the Chinese University of Hong Kong. For the past 20 years, he has been producing documentaries for RTHK’s flagship television programme Hong Kong Connection. His work has won numerous awards at local and international film and television festivals. He has also produced youth programmes such as the experimental cross-media project HKfile.X, which won the Best Mobile or Cross-Media Production at the International Media Excellence Award of the Association for International Broadcasting.
資深電視紀錄片編導，現為香港中文大學新聞與傳播學院專業應用副教授。過去二十年一直為香港電台電視部旗艦節目《鏗鏘集》拍攝紀錄片。其作品屢獲本地及國際電影電視節獎項。潘亦監製青年人節目，如跨媒體計劃《香港檔案・X 》，獲得國際廣播聯盟流動電話／跨媒體最佳製作大獎。
Fransiska PRIHADI 弗朗西斯卡・普里哈迪
Indonesia | Minikino
Fransiska PRIHADI is an architect, co-founder of art-house cinema MASH Denpasar in Bali. She is Program Director of Minikino and Minikino Film Week, Bali International Short Film Festival. She served as guest programmer & jury for various national and international short film festivals, with experience as facilitator and mentor for filmmaking and film festival writing workshops.
Fransiska Prihadi是一名建築師，同時亦是巴里島藝術電影院MASH Denpasar 的聯合創辦人。她目前擔任 Minikino和Minikino Film Week，以及巴厘島國際短片電影節的節目總監。她曾受邀擔任多個國內外短片電影節的客座策展人和評審，同時也有為電影製作及電影節寫作工作坊主持和指導的經驗。
Flora TANG 鄧幗茵
Hong Kong
TANG joined mm2 Hong Kong in 2017, focusing on producing Hong Kong, Singapore and Malaysia films. She was the line producer of A Journey of Happiness (2019), and Walk with Me (2019), and the associate producer of Drifting (2021) and The Shadow (2022). Her recent work, The Narrow Road (2022), was nominated for 3 awards in Golden Horse Awards and 10 awards in Hong Kong Film Awards, and won the Best Original Film Score from both of the Awards.
於2017年加入mm2香港擔任策劃及執行監製，主力製作香港、新加坡及馬來西亞電影。2019年完成作品《玩轉全家福》及《雙魂》，2020及2021年完成作品《濁水漂流》及《殘影空間》。最近2022年公映的作品《窄路微塵》分別榮獲台灣金馬獎3項提名及香港電影金像獎10頂提名，更同時於兩個頒獎典禮奪得最佳原創電影音樂獎。
Elysa WENDI 葉奕蕾
Hong Kong | Cinemovement
Elysa WENDI is a dance artist, curator and filmmaker based in Hong Kong. Since 2008, she began experimenting on choreographic ideas with the medium of film, performances and curatorial projects. In 2015, she co-founded Cinemovement, a platform facilitating the creation of interdisciplinary films through a laboratory setting together with Film Producer Jeremy CHUA. In 2022, Elysa started her role as curator and festival director of Jumping Frames — Hong Kong International Movement-image Festival. One of her notable works, 1958 Delivery won the Best Experimental Film Award at the 2018 South Taiwan Film Festival and her recent film As I Imagine My Body Moving received Gold Awards (Open Category) at the 28th ifva Awards.
策展人、舞蹈及影像創作者，現居香港。2008年起開始嘗試將編舞概念糅合於影像、表演性創作以至策展項目當中。2015年與電影製作人蔡紹勇創辦了Cinemovement平台，提供創作實驗室，促成跨界影像創作。2022年獲任「跳格」國際舞蹈影像節策展人及節目總監。她的短片作品《慢遞1958》備受注目，榮獲2018年南方影展最佳實驗片獎；最新作品《海坐下來時沒有風》獲2023年第28屆ifva獨立短片及影像媒體比賽公開組金獎。